Fine Art Street Portraits and Stories – The Real Deal
First of all, a little about me and why I love street photography.
Visit Kevin’s Fine Art Street Photography Collection – Here
*The Short & Sweet Version*
40 years experience working with both film and digital photography, an endless supply of creativity with a big dose of “are you sure you should do that” HELL YES!!
Why Street Photography
So many interesting subjects to photograph in so many different situations. Fine art street photography seems to be a newer style than regular street. Even though regular street photography is the ability to use a quick trigger, while understanding composition in the blink of an eye, fine art street seems to be a new movement that combines snapping with quick on the go (conceptual planning).
If you have ever tried it, you will realize its probably the hardest photography to learn. Lets face it; 30 years from now, when you look at pictures online, in a photo book, or wherever, landscapes and architecture start to get boring. How many times do you want to see the same image, shot by thousands upon thousands of imagers. When you shoot street photography, your getting a once in a lifetime image that will never be duplicated. I’m not talking about a stationary front of a building, but being able to tell a story about the image your shooting, in many different situations.
In this article, I’m going to give you a few tips or techniques that do very well for myself, but with photography, you will need to find your own way eventually, or it won’t be satisfying. The mistakes you will make in the beginning will be many, believe me. When I started street photography in 2000, it took me six months of continuous work until I finally got it. Once you figure that out, its gravy.
*A Couple Tips*
Bring A Tripod
A tripod is a very valuable part of your props that should never be overlooked. Its not that this is needed for long exposure, or to keep things steady, its all about having the right tool at the right time. I use a tripod in many situations in street photography, to take the focus away from myself. If your walking around with a camera around your neck, or holding it up to your peepers, everyone will turn away. If its set up on your tripod, you can have a remote or cable release to shoot without anyone knowing. Also, it can give you a chance to look someone dead in the eye and them back at you, before you shoot. This isn’t the only way to shoot street photography however, but another excellent proven method I use. Not needed all the time, but try it for certain things.
Anything that you know how to use the right way. When I say the right way, here is what I mean. You should know what composition and lighting mean, even if your using your phone. Yes, with modern technology anyone can snap a picture and even get lucky with a couple great pics, but that wont last and you will be yet another self called (photographer) taking up space on the net. Learn your trade guys!!
As far as cameras go, it doesn’t matter much, as long as you can get the right lenses to go with that camera. In the beginning, I used a Fuji S1 Pro 3meg, yes 3 megs. I also used a 1961 medium format Bronica film camera.
What Lens is Best
I see this question everywhere, and I have to tell you, I thought it was so important until I started using what I had. You can use anything you like! In fact why not try a portrait lens for everything, or a wide angle whatever. Once you learn what street images look best with that lens, you will have more interesting shots. A different look that may even become the (LOOK).
At this time, I use a Tamron 90mm macro lens and love it. I may go to an 85mm or a 105mm next. Then I am thinking of getting a 24-70mm. Give whatever you have a try and see what it looks like before you spend tons of money getting what everyone else tells you to get.
A few pics from the 3meg Fuji
Talk To People
Their is nothing worse than taking street photography with a zoom lens. It may work in some cases, but don’t walk around hiding behind your lens. Mingle a little with people that look interesting and that don’t look interesting. Remember, Street Photography is about telling a story threw your images. When you know someones story, it is easier to photograph them in the right way. It also brings emotions out of your subject that you would never have gotten. Some images are best when you just catch the moment at the right time and those are the special ones. No need to talk to anyone or ask for permission.
When I am in the city walking around, looking for that special image, I am always checking my lighting and re-setting my camera. You may just keep your camera on aperture priority, shutter priority or auto. Just make sure you are ready to get that shot quickly. Also make sure you have the right focus settings. Nothing worse that shooting a once in a lifetime scene, that is not usable because your lens didn’t focus right. This is also when a good lens is worth every extra penny you spend.
If I didn’t talk to these homeless man, I would have never known that one was a very accomplished painter, another living on the streets with two cancers and the other trying to save his money for a prostheses leg.
In conclusion, just have fun, learn the most you can, mostly by making mistakes. Also if you can help out your community in any way, or someone in need – Please Do It!! It doesn’t take much to give a buck or ask a person in need if they are okay. A smile goes a long way.
If you want to keep updated on my work, follow me on Instagram @chitown_storyteller
To view my Fine Art Street Collection click ( Here )
or Book a Chicago Photography Workshop ( Here )